Fine Art Insurance in the U.K: How to Safeguard your Collection, Studio and Exhibitions
Historically, fine art has been distinguished from other forms of creative expression and traditional crafting skills by the fact that it is created for its own sake; it serves no functional purpose and carries an expression of the artist’s emotional, intellectual or sometimes political perspective. It is designed for display, to be enjoyed and studied. As such, in times past fine art was generally the prerogative of the wealthier classes who had the financial resources to visit studios or exhibitions, and for a few this even included a tour around Europe to compare and learn from artists in different countries.
“Fine” does not refer to the superiority of the art but to the purity of it. Traditionally, fine art consisted of five art disciplines: painting, sculpture, architecture, music and poetry.
Today, the boundaries between fine and applied arts and crafts have become much more blurred, and thankfully, with many galleries free to the public, the opportunity to study art forms and appreciate the skill of the artists is open to many more.
However, one distinction does still remain between ‘pure’ art and applied crafts, and that is its lack of any practical functionality. It is beauty for beauty’s sake, and this is arguably not only delightful, but also an essential part of the development of a culture and the cohesive sustainability of it.
The cave paintings that were etched by tribal bushmen are not only incredibly detailed but will have no doubt provided much enjoyment to both the artists and those living within the cave dwellings, as well as providing a narrative of their daily lives to be handed down through the generations. The carved reliefs of the ancient Babylon, Assyrian and Persian Empires reflect much of their culture and history and in the case of Assyria, were also used as a sort of early propaganda, pointing to the victories and strength of the king.
Moving on to the last millennia, we see the influences of the Church in the art and architecture of the Medieval era. Contemplatives painstakingly copied out portions of the Bible and exquisitely illuminated them, sometimes with real gold plate. The soaring buttresses and jewelled rose windows of many a cathedral, beautifully worked icons and The Book of Kells all reflected and contributed to an era of high art, music and literature in which the Church not only funded the creatives of the time but also provided much of the inspiration for much of their work.
The Renaissance brought with it fresh ideas and a whole new era of fine art, funded now by the wealthy families of the time, initially the Medicis in Florence. This was a period of magnificent art in which talented artists sought a patron and, if successful, were free to work solely on their art. Michelangelo’s Sistine chapel ceiling and David sculpture and Leonardo Da Vinci’s many masterpieces are amongst numerous examples of the fine art of this time.
As both paper and then paints became more affordable and easier to use, artists had the freedom to go outdoors ‘en plein air’ and experiment with further techniques and ideas. The Impressionists, whose work is appreciated around the globe today for its light and its colour, emerged from this time.
Moving into more recent history, the disciplines of the fine arts have still reflected and shaped cultures and societies, and sometimes it’s art that demonstrates the direction of a society more than anything else. Thing about the starkly utilitarian architecture of Soviet communism where, in some Eastern European cities, dull concrete buildings stand cheek to jowl with exquisitely decorative edifices dating from previous centuries.
It could be argued that a nation’s fine art is a barometer for their culture. If we lose the ability to create and enjoy beauty for beauty’s sake, to create artwork which lifts the mind of the beholder to something higher than ourselves, we could all become dull and directionless.
Thus, fine art maybe does have a purpose in addition to display: an immensely valuable one. So, be encouraged if you spend your available time creating works of beauty for others to enjoy, keep at it. Your country needs you!
How then are you going to exhibit and sell your art? You may be part of an Arts Quarter or work in a shared studio which enables you to welcome the public in to view your work. Or, you could look out for local open studio events, where lots of different arts and crafts people open their workspaces for a co-ordinated trail. These can get good footfall and a lovely variety of visitors. However you display and sell, you will need to ensure your paintings – the products of your talent, time and money – are well protected.
If you type fine art insurance uk into your search engine you will have a considerable range of policies from which to choose. Which is the best? Should you just go for the cheapest, or should you look too at the specifics of the cover that is provided? Fine art insurance uk could become quite complex! However, let us reassure you that it need not be. Of course you will be looking for value for money; you have to know that you are buying a product you need and not paying for something unnecessary.
As a family run business who have specialised in craft cover and fine art insurance uk from one generation to the next, we have time-tested knowledge and experience of providing excellent value for money insurance for artists and crafters. We value each of our clients … without you we have no business… and as such we make sure we communicate with each of you directly. No call queues; either Sam or Naomi will be here to pick up your call or answer your email. So, whether you need to safeguard your collection within a studio, a gallery, an exhibition or elsewhere, get in touch and we’ll make sure you get the best fine art insurance for your unique requirement.